There is no deeper meaning to the piece, but it is pretty and even touching. He took part in musical ceremonies, and learned about social levels of communication that are not common to Western culture. Like Cinq chansons pour percussion, this work is an anomaly that prioritizes the sounds of the South Pacific over that of Western music. It was a land of discovery and deep spiritual comfort for him. Societies that were separate to his own appealed to him, and among the many countries he visited, Bali was the one that pleased him most. Usually Vivier’s works contain elements of autobiography, and this work does as well, but not in the way that most of his works did. Pulau Dewata demonstrates his having learnt the indigenous musical syntax.
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While Vivier was there, he industriously attempted to learn what he could about the Balinese style and, by pylau accounts, was treated graciously by the local musicians and others for his efforts. Though a fine musician, he took on a teacher who pluau great patience in teaching Vivier how to play with the local ensembles. Jazz Latin New Age. When returning from Bali, he insisted that he had no intention of writing Balinese music, but this music comes close to doing exactly that.
Pulau Dewata reflects that comfort and appreciation. He once described his journey there as “a voyage to the depths of myself. The work is about eleven minutes in duration. Rainy Day Relaxation Road Trip.
Gamelan music attracted other composers of French descent, including Debussy and Boulez. There is no deeper meaning to the piece, but it uplau pretty and even touching. He studied with Stockhausen during the early s, and later in the decade, made extensive trips throughout Asia.
Sexy Trippy All Moods. What Vivier said he wanted was to capture the spirit of the island, its rhythms and dances, and the simple and direct manner of the people.
Wine, Women and Song. Streams Videos All Posts. Vivier was concerned with what he learned while in Bali about himself and about life.
He was exposed to a great deal of kindness while he was there and held its populace in high regard. They appreciated the resonance of the gongs and some of the system’s rhythmic and modal possibilities. Introspection Late Night Partying. Romantic Evening Sex All Themes. This remote Pacific island’s indigenous music would play a part in most of the composer’s subsequent output.
It was a land of discovery and deep spiritual comfort for him. Genre Miscellaneous Classical Classical. Vivier went through two essential experiences that helped shape his music. There is no element pulua his interior world; the usual depiction of the abandoned inner child is absent. Share on facebook twitter tumblr.
The musicians are obliged to produce nine specific tones in order to perform nine separate melodies.
Pulau Dewata () — SMCQ
There is no indication of instrumentation in the score, permitting any combination of instruments. For other works that are about places he appreciated, such as Shiraz, the music retains his unique, Western avant-garde sensibility.
He took part in musical ceremonies, and learned about social levels of communication that are not common to Western culture. Its construction reflects the general tenets of the culture’s art. Usually Vivier’s works contain elements of autobiography, and this work does as well, but not in the way that most of his works did.
In an interview, he said that all of his subsequent works have been a tribute to that country. It is not gamelan music strictly speaking, but it has more to do with that particular sound than what his other works demonstrate. Societies that were separate to his own appealed to him, and among the many countries he visited, Bali was the puau that pleased him most.